片名：镜子的另一面：纽波特民歌艺术节1963~1965正片

《镜子的另一面：纽波特民歌艺术节1963~1965》Murray,Lerner拍的这部电影，什么时候公映啊

《镜子的另一面：纽波特民歌艺术节1963~1965》高清剧情片电影完整版http://www.tsdelong.com/ong/37757-0-0.html

制片地区： 美国

导演： Murray,Lerner

编剧： Murray,Lerner

主演： Bob,Dylan,Joan,Baez,Judy,Collins

上映时间： 0

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2022-12-05 18:35

《镜子的另一面：纽波特民歌艺术节1963~1965》是根据一个真实故事改编的，那《镜子的另一面：纽波特民歌艺术节1963~1965》故事的大致内容是怎样的?？

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

30、电影《镜子的另一面：纽波特民歌艺术节1963~1965》有哪些硬核特效？对此你作何评价？

由Bob,Dylan,Joan,Baez,Judy,Collins主演的剧情片《镜子的另一面：纽波特民歌艺术节1963~1965》迎来播放，这部电影有趣的背景设定通过各种元素来展现，通过《镜子的另一面：纽波特民歌艺术节1963~1965》上映的预告以及海报，我们可以看到这部电影通过超震撼的特效来制霸影视，一场热血激荡的未来之战为我们展现未来科技，这部剧情片作品通过强大的幕后制作团队，为我们打造一部剧情片的巨作。

31、《镜子的另一面：纽波特民歌艺术节1963~1965》上映火爆，这部剧反映了怎样的重要意义？

这部电影是剧情片，电影中的场景是采用棚内搭建的形式，导演： Murray,Lerner利用逼真的道具设置和后期特效给观众一个惊艳震撼的视觉效果，在这么一个启发人深思的故事来表现电影的精神内核，展示了电影高深的立意。

34、年度评分第一剧情片《镜子的另一面：纽波特民歌艺术节1963~1965》，主要讲述的是什么故事？

从目前的口碑和评分来看，《镜子的另一面：纽波特民歌艺术节1963~1965》都一定是今年最佳的剧情片电影，同时也是今年唯一一部入选了柏林电影节的作品。《镜子的另一面：纽波特民歌艺术节1963~1965》讲述的就是农村底层人物之间的苦难生活和美好爱情，但是一切的喜悦和美好都是建立在苦难之上的，所以大家去看这部剧情片电影的时候，会觉得心中非常煎熬，如果对我国最底层的人民的生活不够了解的，在这部剧情片电影中是一定能够找到答案的。

37、《镜子的另一面：纽波特民歌艺术节1963~1965》导演Murray,Lerner：种电影的人，你了解哪些？

这部0上映的剧情片，入围2022年柏林电影节主竞赛单元，打破了近年来欧洲三大电影节主竞赛单元剧情片“零入围”的僵局，也让Murray,Lerner在威尼斯完成了他的作品从威尼斯“地平线”、戛纳“一种关注”到柏林主竞赛的“进阶”。导演Murray,Lerner一直关注着自己的家乡，Murray,Lerner镜头总是盯着熟悉的家乡。即使上一部电影变成了繁华的大城市，Murray,Lerner善于讲述残酷荒诞却不失温情的故事，电影勾勒出人们对土地的依恋、《镜子的另一面：纽波特民歌艺术节1963~1965》现代文明与人心的矛盾。《镜子的另一面：纽波特民歌艺术节1963~1965》在谈到老人、孩子和年轻人之后，这次Murray,Lerner将把重点放在与村子密不可分的中年人身上。《镜子的另一面：纽波特民歌艺术节1963~1965》延续了Murray,Lerner导演深厚的人文关怀，演员Bob,Dylan,Joan,Baez,Judy,Collins的组合主演，新颖又富有挑战性。Bob,Dylan,Joan,Baez,Judy,Collins在影片中的表现，堪称一次突破。

15、《镜子的另一面：纽波特民歌艺术节1963~1965》是一部怎样的电影？

《镜子的另一面：纽波特民歌艺术节1963~1965》因强大IP基因，开播前就备受瞩目，《镜子的另一面：纽波特民歌艺术节1963~1965》未播先热成焦点。《镜子的另一面：纽波特民歌艺术节1963~1965》如今更收视飘红，话题不断，成为辞旧迎新跨年之际现象级大剧。唯美画风，考究服饰、道具，至少5元钱戳眼特效，大众熟知的《镜子的另一面：纽波特民歌艺术节1963~1965》，高能虐心剧情都为剧加分多多。此外，偶像明星Bob,Dylan,Joan,Baez,Judy,Collins拼颜值、斗演技，主配角成功人设与演绎，也在很大程度上拉动且加持了《镜子的另一面：纽波特民歌艺术节1963~1965》收视口碑双飞大势。全民看脸的时代，《镜子的另一面：纽波特民歌艺术节1963~1965》Bob,Dylan,Joan,Baez,Judy,Collins高颜值绝对对得起拥趸笃粉。人气爆棚当红偶像明星Bob,Dylan,Joan,Baez,Judy,Collins颜值大放送，令无数舔屏族竞折舌，已在预料之中，他们颜值高到令人侧目、仰望，演技更让人弹眼落睛。特别是虐心爱情戏，更成为高瓦斯含量的催泪弹，让无数剧情片迷泪牛满面。