片名：洛拉电台
关键词：洛拉电台免费在线观看
电影类别:科幻片
发行年份：2022
首映地区：英国
导演：安德鲁·莱格
演员：斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan
更新时间：2024-02-04 03:30
《洛拉电台》讲述的是什么故事？
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
10、《洛拉电台》是哪一年上映的？
《洛拉电台》是安德鲁·莱格于2022年拍摄的一部经典科幻片。此片开创英国当代科幻片的先河，《洛拉电台》上映时票房稳坐前三，创下当年纪录。当时斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan均为最佳主角，斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan以精彩演技和突出形象，奠定在英国影坛地位。斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan饰演角色造型多年后仍为人所模仿。安德鲁·莱格之前曾被人怀疑其能力，而《洛拉电台》却奠定安德鲁·莱格电影风格。《洛拉电台》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀科幻片齐名。
11、被称为科幻片的开先河之作的《洛拉电台》，是安德鲁·莱格最好的作品吗?
从安德鲁·莱格斩获科幻片最佳导演 我就觉得这部《洛拉电台》是他最好的电影。虽然安德鲁·莱格后来还拍出来了评价特别好的电影，但是《洛拉电台》是他电影的代表作品。
12、《洛拉电台》为什么可以成为经典？
提起英国电影，人们就肯定会说出《洛拉电台》的名字。这部由安德鲁·莱格导演，斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan主演的《洛拉电台》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连安德鲁·莱格导演和斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan，都没想到这部科幻片会得到这样好的反响。安德鲁·莱格先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《洛拉电台》开拍之前，斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan已经有4年无戏可拍，而斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan主演的电影，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在电影中投入的热情，是我们难以想象的，其实《洛拉电台》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典科幻片，也成就了他们自己！
21、如何评价《洛拉电台》?
《洛拉电台》口碑非常好深受广大观众喜爱，《洛拉电台》一经播放立刻引来无数人点赞，不仅斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan演的好而且该电影故事情节也非常紧凑，德龙影院（http://www.tsdelong.com）观看起来特别流畅同时还能扣人心弦，虽然目前《洛拉电台》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan，她在该剧中的演技可圈可点，受到斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan演的好而且该电影迷的认可。
27、《洛拉电台》电影的主要内容
《洛拉电台》是一部科幻片电影，由导演：安德鲁·莱格执导，主演：斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan，
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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