我用夏天比拟你 HD

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分类:剧情片 其它 2022

导演:穆罕默德·肖基·哈桑   

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片名:我用夏天比拟你

关键词:我用夏天比拟你免费在线观看

电影类别:剧情片

发行年份:2022

首映地区:其它

导演:穆罕默德·肖基·哈桑

演员:Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad

更新时间:2023-12-08 03:31

《我用夏天比拟你》讲述的是什么故事?

  A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

10、《我用夏天比拟你》是哪一年上映的?

《我用夏天比拟你》是穆罕默德·肖基·哈桑于2022年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河,《我用夏天比拟你》上映时票房稳坐前三,创下当年纪录。当时Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad均为最佳主角,Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad以精彩演技和突出形象,奠定在其它影坛地位。Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad饰演角色造型多年后仍为人所模仿。穆罕默德·肖基·哈桑之前曾被人怀疑其能力,而《我用夏天比拟你》却奠定穆罕默德·肖基·哈桑电影风格。《我用夏天比拟你》首映时曾获海外剧情片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1980年代)好莱坞(好莱坞)优秀剧情片齐名。

11、被称为剧情片的开先河之作的《我用夏天比拟你》,是穆罕默德·肖基·哈桑最好的作品吗?

从穆罕默德·肖基·哈桑斩获剧情片最佳导演 我就觉得这部《我用夏天比拟你》是他最好的电影。虽然穆罕默德·肖基·哈桑后来还拍出来了评价特别好的电影,但是《我用夏天比拟你》是他电影的代表作品。

12、《我用夏天比拟你》为什么可以成为经典?

提起其它电影,人们就肯定会说出《我用夏天比拟你》的名字。这部由穆罕默德·肖基·哈桑导演,Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad主演的《我用夏天比拟你》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连穆罕默德·肖基·哈桑导演和Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad,都没想到这部剧情片会得到这样好的反响。穆罕默德·肖基·哈桑先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《我用夏天比拟你》开拍之前,Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad已经有4年无戏可拍,而Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad主演的电影,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在电影中投入的热情,是我们难以想象的,其实《我用夏天比拟你》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典剧情片,也成就了他们自己!

21、如何评价《我用夏天比拟你》?

《我用夏天比拟你》口碑非常好深受广大观众喜爱,《我用夏天比拟你》一经播放立刻引来无数人点赞,不仅Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad演的好而且该电影故事情节也非常紧凑,德龙影院(http://www.tsdelong.com)观看起来特别流畅同时还能扣人心弦,虽然目前《我用夏天比拟你》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧主演Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad,她在该剧中的演技可圈可点,受到Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad演的好而且该电影迷的认可。

27、《我用夏天比拟你》电影的主要内容

《我用夏天比拟你》是一部剧情片电影,由导演:穆罕默德·肖基·哈桑执导,主演:Ahmed Awadalla,Nadim Bahsoun,Hassan Dib,Ahmed El Gendy,Richard Gabriel Gersch,Donia Massoud,Selim Mourad,Salim Mrad,

  A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

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